And suddenly there burst a song. It was like nothing Joan had ever heard before. So clear and loud and near that all the night seemed filled with harmony. It sank into a tender yearning cry throbbing with passionate desire, and then it rose again in thrilling ecstasy: a song of hope, of victory. Phillips was waiting for her in the vestibule. She had forgotten him; but now she felt glad of his humble request to be allowed to see her home. It would have been such a big drop from her crowded hour of triumph to the long lonely cab ride and the solitude of the hotel. She resolved to be gracious, feeling a little sorry for her neglect of him—but reflecting with satisfaction that he had probably been watching her the whole time.!

“Of course,” answered Joan, “when I’m better. I’m not very well just now. It’s the weather, I suppose.” It seemed to her that it was she that they were laughing at, pointing her out to one another, jeering at her, reviling her, threatening her.

Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God. It was the task that had been entrusted to her. How could he hope to succeed without her. With her, he would be all powerful—accomplish the end for which he had been sent into the world. Society counts for so much in England. What public man had ever won through without its assistance. As Greyson had said: it is the dinner-table that rules. She could win it over to his side. That mission to Paris that she had undertaken for Mrs. Denton, that had brought her into contact with diplomatists, politicians, the leaders and the rulers, the bearers of names known and honoured in history. They had accepted her as one of themselves. She had influenced them, swayed them. That afternoon at Folk’s studio, where all eyes had followed her, where famous men and women had waited to attract her notice, had hung upon her words. Even at school, at college, she had always commanded willing homage. As Greyson had once told her, it was herself—her personality that was her greatest asset. Was it to be utterly wasted? There were hundreds of impersonal, sexless women, equipped for nothing else, with pens as keen if not keener than hers. That was not the talent with which she had been entrusted—for which she would have to account. It was her beauty, her power to charm, to draw after her—to compel by the mere exercise of her will. Hitherto Beauty had been content to barter itself for mere coin of the realm—for ease and luxury and pleasure. She only asked to be allowed to spend it in service. As his wife, she could use it to fine ends. By herself she was helpless. One must take the world as one finds it. It gives the unmated woman no opportunity to employ the special gifts with which God has endowed her—except for evil. As the wife of a rising statesman, she could be a force for progress. She could become another Madame Roland; gather round her all that was best of English social life; give back to it its lost position in the vanguard of thought. By the time it was done with, Madge had discovered a girl who could sing “Three Little Pigs;” and a sad, pale-faced gentleman who told stories. At the end of one of them Madge’s brother spoke to Joan in a tone more of sorrow than of anger.